Monday, March 25, 2013
Sunday, March 17, 2013
Coca-Cola ad analysis
This
commercial is trying to sell the coca cola beverages. They set the commercial
at the Sahara desert, a place known by the characteristics of having high
temperatures and for being extremely dry. At second 2 the video shows a typical
image of the Sahara desert were we can see camels, people dressed with turbans
and far in the distance huge sand mountains. But at second 5 the houl image
transforms because of an enormous coca cola bottle, the coke is as a “miracle”
for the person that appears because of his thirst (alludes to the
characteristic of refreshing beverages). At second 10 a group of cowboys also
see the coke and start riding to it, in this moment we have the Rising action.
At second 15 the third group appears, this group is a kind of motorized gang
dressed with thorns and leather jackets, giving a rude image. After this
everyone starts running or riding towards the coke so they can have it for
their one. At second 25 the last group appears, they are a bus full of exotic
dancers dressed entirely with pink (this absurd image creates a comic moment).
This commercial has a lot of messages; first we can identify the most important message, that coke is so good and tasty that everyone wants it. This can be seen when everyone fights for getting the coke (now one would let the other have the coke). Another message is that coke is very refreshing, we can see this when the person dressed with turbans as he sees the tremendous coca cola bottle close his eyes in a way of satisfaction (second 8), also this is fortified by the setting (Sahara desert). Finally the last message that the commercial tries to show is that coke is a beverages for everyone, no matter how you are or what you do, you will always like coke. This is represented with the different person’s appearing in the commercial, we have from cowboys to exotic dancers.
This commercial is directed to any kind of audience, as it doesn’t contain any illegal content (that doesn’t follow the US policies of advertisement. It is focused on all the members of the family as it has a comic content and a story with climax (it makes the audience eager to know how will win).
Friday, March 15, 2013
Tuesday, October 30, 2012
Extra chapter from Fatelessness
Two weeks
had passed since my father’s departure. Him not being around makes everything
so different. My mother became over protective when he left, now she wouldn’t
let me go out with Ana Marie, or any other friend. Now some nights I can hear
the blasting of the German artillery. The explosions wake me up in the middle
of the night, it’s really scary. I pray for the bombs to avoid my house, so we
can be safe.

The thing I
miss the most, is hanging out with my friends I haven’t had any new of what has
happened to them. Maybe they are just like me, working at home or spending the
day doing nothing, I don’t know. Probably Ane Marie is playing cards with her
sisters as they use to do, before this war thing happened, before all this
changes…
One day I
was working with Mr. Suto as usual, when he told me to go to his office and
take a finance clipboard for making some work stuff. I went up the stairs, up
to my father’s office; it was enormous place with a big window where you could
see the entire factory. There were some old wood furniture and at the center of
the office, a huge desk with tons and tons of paper work. It took me like a
minute to find the document I was looking for, but when I took the clipboard, a
howl mountain of papers fell down to the ground. All does papers laying on the ground;
it will take a century to organize them! I was astonished when I realize there
was an unusual paper; it was a letter with a “farewell” written on the front. I
open it and found this:
Mr. Suto:
My time has
come, they have called me to the labor caps and there’s nothing I can do. I
need you more than anyone right now, I need that you follow the plan we were
talking about. Take the jewels I gave you and make my family safe. Take them
out of Budapest before is too late, I will never let anyone harm them.
Follow the
route we talked about, is the safer way out of Budapest. Please, do this as my
last favor. Please…
Georg Koves

Mr. Suto
the explained to me that my father’s plan was impossible to follow. German invasion
had locked down the city and was too risky to escape. He thought that the best
idea for now was to run low and hope Allies troops will take Budapest. He also
told me that he didn’t want to give the letter to mom, because she was too hopeful
of seen again my father and this will be like a stab at his heart.
So that’s what
we make, we run low for about a week, hiding some resources at the house so if
we had the opportunity we could escape.
Rationale:
Rationale:
I choose to
make a new chapter of the book, because I thought it was the best way of expressing
the feelings and emotions of the character. As this book is an autobiography,
the author tells you exactly was he was feeling at that precise moment. Also
this way of structuring my work is the “less invasive”, because it follows the
same structure as the novel and doesn’t interfere with the ideas expressed in
it.
At my
written task, I mentioned elements present in the novel so it will be more
realistic and doesn’t interfere with the main plot of the story. The “goods”
from the Kovez family that were given to Mr. Suto previous of my work, play an essential
role as part of a pre made plan for the Kovez family to escape from Budapest.
The context
of my work is the Budapest invasion, of course, but it is centered at the
advancing of the German troops over this place. At the written task I mention
that the plan for escaping Budapest is now longer us full because of the mobilization
of German troops over the city. Other elements of the war are present in this
work as the idea of Jewish families to hide at their houses instead of trying
to escape from their country.
Writing as the opposite sex

Women will never "write as a man" because all men are
different. The fact of asking, what a man would think? Is already wrong.
On the other hand one person can and should write a character of the
opposite sex, but as an individual and not as the male/female stereotype.
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